This website is using cookies

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on this website. 

The page of Feldek, Ľubomír, English Reception

Image of Feldek, Ľubomír
Feldek, Ľubomír
(1936–)

Reception

CHARACTERISTICS OF HIS WRITING
Feldek together with J. Stacho, J. Mihalkovič, J. Ondruš and J. Šimo­novič prepared an issue of the journal Mladá tvorba (1958) where for the first time these poets were introduced as a group presenting an integrated artistic programme covering the fields of poetry, artis­tic translation, and children’s literature. Literary science has since dubbed this group as the “Trnava Group” or the concretists or the neopoetists. Feldek was the dominant figure in this generation of artists. His poetry, prose, literature for children and drama remai­ned faithful to alternative principles whose main source of inspira­tion was Czech poetism and in particular the poetry of V. Nezval. Opposing the one-dimensional schematic literature of the first half of the 1950’s he wrote poetry “for all five senses”, constructed upon uncommon sensitivity to world perception, emphasis on feeling, concreteness, imagery, fantasy and intimacy. It is poetry dominated by metaphorical principles, based on “friction of the borders of distant levels and their sudden proximity. Association.”
A variation and addition to the basic themes and motifs in Feldek’s poetry are his books written for children. Here there is a special principle of dialogue between adults and children.
The only book of prose for adults is his novel Van Stiphout in which he combines the convention of the picaresque novel with his own experience as an editor of a works magazine in Nižná. He also incorporates his interpretation of the stories of Ostap Bender by Ilf and Petrov. This novel parodies in a unique way the Slovak in­dustrial literature of the first half of the 1950’s.
Van Stiphout together with Notes on the Epos mark a break in Fel­dek’s work. From the authenticity of the poetic subject’s private life Feldek moves towards an authenticity based on revealing “the inti­macy” of the external world and its historical uniqueness. This is why he parodies the basic principles of the totalitarian regime (Van Stiphout, A Slovak on the Moon, Homo Scribers, the plays The Art of Not Leaving and The Test) and why he enters into its ultimate civic destruction.

ON THE AUTHOR
Feldek’s purpose is to awaken the childlike perceiver from a solip­sistic, illusory comprehension of a text to a partner-like communi­cative relationship... His entering into communication with a child reader is a unique understanding of children of our time. However, this doesn't mean that the author is devalued. It is the opposite, it is the respect of something simple which nevertheless has full value in the author’s eye. (František Miko)

AWARDS
Ivan Krasko Prize (1961) for the best debut of the year
Title of Meritorious Artist (1979)
Literature ::
Translation ::

minimap